Description
Experience the transformative power of contemporary African photography with 'Zwelethu Mthethwa'. This striking monograph delves into the impactful work of Zwelethu Mthethwa, a pivotal figure in South African photography. Since the end of Apartheid in 1994, Mthethwa has emerged as a key voice, capturing the resilience and dignity of black South Africans in both urban and rural settings. Each portrait tells a story of defiance, even amidst social and economic challenges.
This beautifully produced hardcover book, released by Aperture in 2010, features stunning sewn binding that highlights the depth and vibrancy of Mthethwa’s photography. With an ISBN of 9781597111133, it's essential for art lovers and collectors alike. Discover how Mthethwa's work defies stereotypes and moves away from the narrative of 'Afro-pessimism', instead celebrating the vibrancy of South African life through positively charged imagery and collaborative storytelling.
From labor issues to serene landscapes, this comprehensive overview encapsulates the breadth of Mthethwa's artistic journey, making it a crucial addition to any contemporary photography collection. His international acclaim is evidenced by over 35 solo exhibitions worldwide, including recognition at prestigious events such as the Venice Biennale.
Note: Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled. Condition: BRAND NEW. Year: 2010. Format: Sewn. Publisher: Aperture.
Note: Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled.
Condition: BRAND NEW
ISBN: 9781597111133
Format: Sewn
Year: 2010
Publisher: Aperture
Description:
Since Apartheid's fall in 1994, South African photography has exploded from the grip of censorship onto the world stage. A key figure in this movement is Zwelethu Mthethwa, whose portraits powerfully frame black South Africans as dignified and defiant individuals, even under the duress of social and economic hardship. Photographing in urban and rural industrial landscapes, Mthethwa documents a range of aspects in South Africa, from domestic life and the environment to landscape and labor issues. Mthethwa's work challenges the conventions of both Western documentary work and African commercial studio photography, marking a transition away from the visually exotic and diseased--or "Afro-pessimism," as curator Okwui Enwezor has described it--and employing a fresh approach marked by color and collaboration. "Zwelethu Mthethwa," the artist's long awaited first comprehensive monograph provides an overview of his work to date, and features the stunning portraits that have brought him international acclaim.Born in Durban, KwaZulu-Natal, South Africa, in 1960, Zwelethu Mthethwa received his BFA from the Michaelis School of Fine Art, University of Cape Town, a then white-only university he entered under special ministerial consent. In 1989, he received his Master's degree while on a Fulbright Scholarship to the Rochester Institute of Technology. Mthethwa has had more than 35 international solo exhibitions and has been featured in numerous group shows, including the 51st Venice Biennale in 2005 and "Snap Judgments: New Positions in Contemporary African Photography" at the International Center of Photography, New York, in 2006. He is repre
This beautifully produced hardcover book, released by Aperture in 2010, features stunning sewn binding that highlights the depth and vibrancy of Mthethwa’s photography. With an ISBN of 9781597111133, it's essential for art lovers and collectors alike. Discover how Mthethwa's work defies stereotypes and moves away from the narrative of 'Afro-pessimism', instead celebrating the vibrancy of South African life through positively charged imagery and collaborative storytelling.
From labor issues to serene landscapes, this comprehensive overview encapsulates the breadth of Mthethwa's artistic journey, making it a crucial addition to any contemporary photography collection. His international acclaim is evidenced by over 35 solo exhibitions worldwide, including recognition at prestigious events such as the Venice Biennale.
Note: Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled. Condition: BRAND NEW. Year: 2010. Format: Sewn. Publisher: Aperture.
Note: Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled.
Condition: BRAND NEW
ISBN: 9781597111133
Format: Sewn
Year: 2010
Publisher: Aperture
Description:
Since Apartheid's fall in 1994, South African photography has exploded from the grip of censorship onto the world stage. A key figure in this movement is Zwelethu Mthethwa, whose portraits powerfully frame black South Africans as dignified and defiant individuals, even under the duress of social and economic hardship. Photographing in urban and rural industrial landscapes, Mthethwa documents a range of aspects in South Africa, from domestic life and the environment to landscape and labor issues. Mthethwa's work challenges the conventions of both Western documentary work and African commercial studio photography, marking a transition away from the visually exotic and diseased--or "Afro-pessimism," as curator Okwui Enwezor has described it--and employing a fresh approach marked by color and collaboration. "Zwelethu Mthethwa," the artist's long awaited first comprehensive monograph provides an overview of his work to date, and features the stunning portraits that have brought him international acclaim.Born in Durban, KwaZulu-Natal, South Africa, in 1960, Zwelethu Mthethwa received his BFA from the Michaelis School of Fine Art, University of Cape Town, a then white-only university he entered under special ministerial consent. In 1989, he received his Master's degree while on a Fulbright Scholarship to the Rochester Institute of Technology. Mthethwa has had more than 35 international solo exhibitions and has been featured in numerous group shows, including the 51st Venice Biennale in 2005 and "Snap Judgments: New Positions in Contemporary African Photography" at the International Center of Photography, New York, in 2006. He is repre