Description
Discover the fascinating world of the Oxford University Museum of Natural History with our remarkable book, a perfect blend of science and art. This BRAND NEW volume, published by Bodleian Library Publishing in 2021, explores the rich history of the museum constructed between 1855 and 1860. Delve into the architectural marvel created through the collaboration of artist Benjamin Woodward and the Pre-Raphaelite artists—an extraordinary fusion that reflects meticulous observation of nature and modern scientific thought. Explore stunning illustrations of its beautiful facade, adorned with exquisite natural history carvings and marble columns that exemplify geological strata. 'Temple of Science' highlights a stunning gallery showcasing the world’s finest Pre-Raphaelite sculpture and tells the story of this unprecedented partnership between scientists and artists. Whether you're an art lover, a science enthusiast, or a curious reader, this book offers a captivating journey through time and creativity that you won't want to miss. Keep in mind, shipping for this item is free, but please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled. Dive into natural history and artistic brilliance today!
Note: Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled.
Condition: BRAND NEW
ISBN: 9781851245567
Year: 2021
Publisher: Bodleian Library Publishing
Description:
Built between 1855 and 1860, Oxford University Museum of Natural History is the extraordinary result of close collaboration between artists and scientists. Inspired by John Ruskin, the architect Benjamin Woodward and the Oxford scientists worked with leading Pre-Raphaelite artists on the design and decoration of the building. The decorative art was modelled on the Pre-Raphaelite principle of meticulous observation of nature, itself indebted to science, while individual artists designed architectural details and carved portrait statues of influential scientists. The entire structure was an experiment in using architecture and art to communicate natural history, modern science and natural theology.
Temple of Science sets out the history of the campaign to build the museum before taking the reader on a tour of art in the museum itself. It looks at the facade and the central court, with their beautiful natural history carvings and marble columns illustrating different geological strata, and at the pantheon of scientists. Together they form the world's finest collection of Pre-Raphaelite sculpture. The story of one of the most remarkable collaborations between scientists and artists in European art is told here with lavish illustrations.
Note: Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled.
Condition: BRAND NEW
ISBN: 9781851245567
Year: 2021
Publisher: Bodleian Library Publishing
Description:
Built between 1855 and 1860, Oxford University Museum of Natural History is the extraordinary result of close collaboration between artists and scientists. Inspired by John Ruskin, the architect Benjamin Woodward and the Oxford scientists worked with leading Pre-Raphaelite artists on the design and decoration of the building. The decorative art was modelled on the Pre-Raphaelite principle of meticulous observation of nature, itself indebted to science, while individual artists designed architectural details and carved portrait statues of influential scientists. The entire structure was an experiment in using architecture and art to communicate natural history, modern science and natural theology.
Temple of Science sets out the history of the campaign to build the museum before taking the reader on a tour of art in the museum itself. It looks at the facade and the central court, with their beautiful natural history carvings and marble columns illustrating different geological strata, and at the pantheon of scientists. Together they form the world's finest collection of Pre-Raphaelite sculpture. The story of one of the most remarkable collaborations between scientists and artists in European art is told here with lavish illustrations.