Sting in the Tale

SKU: PR12506

Price:
Sale price$151.00

Description

Explore the fascinating world of fictive artworks with this brand new trade paperback, published by DoppelHouse Press in 2021. Delve into the complex intersections of art, identity, and social commentary. This book shines a light on the burgeoning genre of fictive art that has captivated audiences over the past two decades. A must-read for enthusiasts of the Codex Seraphinianus, the Voynich Manuscript, and the intriguing narratives woven by contemporary internet artists, this book addresses the current relevance of misinformation and its impact on society, particularly in light of significant events like the January 6th Capitol attack.

Discover how fictive art challenges traditional notions of artistry and its role in societal conversations. The author emphasizes the importance of understanding the motivations behind this genre, which straddles the boundary between art and deception. Engage with discussions around gender, identity, and the socio-political implications of being a 'trickster' artist in today's world. This insightful exploration will enrich your understanding of how art can be used as a means of cultural criticism and resistance.

Note: Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled. Purchase your copy now to unravel the entangled histories and vibrant narratives that define fictive art today!

Note: Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled.

Condition: BRAND NEW
ISBN: 9781733957953
Format: Trade paperback (US)
Year: 2021
Publisher: DoppelHouse Press


Description:

Fictive artworks have multiplied rapidly in the last two decades with a wide range of artists who have worked in this genre and generated its upsurge in popularity.
Some of the projects covered in this book have strong cult followings, so it will appeal to people fascinated by the Codex Seraphinianus and the Voynich Manuscript, for example.
Concluding considerations include contemporary internet-based artists, NFTs, and the role misinformation has played in recent politics and events like the January 6th attack on the US Capitol.
The self-referentiality of fictive art allows for critical conversation about the social contract and aspirations toward a just society in the age of rampant misinformation. It differs from cons and hoaxes, pyramid schemes, identity theft, forgery, impersonation, etc. in that its goal is to be eventually found out, revealed as an elaborate fabrication, and appreciated as a fiction-based form of art.
As the author writes, the book highlights artists "who trouble our ideas about
gender and identity, who use the form to expand on the larger social
context of art: what it means to have to pass as someone (or something)
else, to be invisible or mis-seen, to perform as a trickster due
to low status, to be unable to contribute to the narrative around what
counts as art. In other cases, fictive art arises out of resistance to cultural
change and comes from those who benefit from the status quo."

The book connects the long history of the “trickster” in art to the contemporary urgency to use art as a socio-political tool for productive mischief-making.
LaFarge is

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