Description
Discover the enigmatic world of William Shakespeare through "Portraits of Shakespeare," a meticulously researched book that unravels the mystery surrounding the iconic playwright's appearance. This brand new edition, published by Bodleian Library Publishing in 2015, is an essential addition to any Shakespearean library. With an ISBN of 9781851244058, this book critically examines the tradition of the author portrait, providing insights into the three most credible images believed to portray the legendary figure: the bust in Holy Trinity Church, the 'Droeshout engraving' from the First Folio, and the 'Chandos portrait.' \n\nScholarly contributions by Katherine Duncan-Jones delve deep into questions of authenticity and representation, while also discussing the captivating trend of newly 'discovered' images. The book illustrates how these portraits have influenced literature and art over the centuries, serving as a testament to our enduring fascination with Shakespeare. Perfect for literature lovers, students, and historians alike, this book offers a unique lens into the life and legacy of one of history’s most celebrated writers. Immerse yourself in the beautiful illustrations and rich research that highlight the cultural impact of Shakespeare's face through the ages. Dive into this comprehensive analysis and unlock new perspectives on the final years of Shakespeare's life!\n\nNote: Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled.
Note: Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled.
Condition: BRAND NEW
ISBN: 9781851244058
Year: 2015
Publisher: Bodleian Library Publishing
Description:
Within Shakespeare's lifetime there was already some curiosity about what the writer of such brilliant poems, sonnets and plays looked like. Yet like so much else about him, Shakespeare's appearance is mysterious.
Why is it so difficult to find images of him that were definitely made during his life? Which images are most likely to have been made by those close to Shakespeare, and why do these differ from each other? Also, why do newly 'discovered' images claimed as representations of the playwright emerge with such regularity?
Shakespeare scholar Katherine Duncan-Jones examines these questions, beginning with an analysis of the tradition of the 'author portrait' before, during, and after Shakespeare's life. She provides a detailed critique of the three images of Shakespeare likeliest to derive from life-time portrayals: the bust in Holy Trinity Church, Stratford-upon-Avon; the 'Droeshout engraving' from the First Folio edition of Shakespeare's plays published in 1623; and the 'Chandos portrait', painted in oil on canvas in the early seventeenth century. Through a fresh exploration of the evidence and groundbreaking research, she identifies a plausible new candidate for the painter of 'Chandos'. This also throws new light on the last years of Shakespeare's life.
This generously illustrated book also examines the afterlife of these three images, as memorials, in advertising and in graphic art, together with their adaptation in later commemorative statues: all evidence of a continuing desire to put a face to one of the most famous names in literature.
Note: Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled.
Condition: BRAND NEW
ISBN: 9781851244058
Year: 2015
Publisher: Bodleian Library Publishing
Description:
Within Shakespeare's lifetime there was already some curiosity about what the writer of such brilliant poems, sonnets and plays looked like. Yet like so much else about him, Shakespeare's appearance is mysterious.
Why is it so difficult to find images of him that were definitely made during his life? Which images are most likely to have been made by those close to Shakespeare, and why do these differ from each other? Also, why do newly 'discovered' images claimed as representations of the playwright emerge with such regularity?
Shakespeare scholar Katherine Duncan-Jones examines these questions, beginning with an analysis of the tradition of the 'author portrait' before, during, and after Shakespeare's life. She provides a detailed critique of the three images of Shakespeare likeliest to derive from life-time portrayals: the bust in Holy Trinity Church, Stratford-upon-Avon; the 'Droeshout engraving' from the First Folio edition of Shakespeare's plays published in 1623; and the 'Chandos portrait', painted in oil on canvas in the early seventeenth century. Through a fresh exploration of the evidence and groundbreaking research, she identifies a plausible new candidate for the painter of 'Chandos'. This also throws new light on the last years of Shakespeare's life.
This generously illustrated book also examines the afterlife of these three images, as memorials, in advertising and in graphic art, together with their adaptation in later commemorative statues: all evidence of a continuing desire to put a face to one of the most famous names in literature.