Joan Mitchell

SKU: PR12092

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Discover the vibrant world of Joan Mitchell with 'Joan Mitchell: Worlds of Colour.' This essential publication, showcasing the first exhibition in Australia dedicated to this influential North American artist, offers a comprehensive survey of her groundbreaking work in printmaking. Featuring prints created at Tyler Graphics during 1981 and 1992, this book captures the essence of Mitchell’s unique approach to abstraction. Born in Chicago in 1925, Joan Mitchell emerged as a prominent figure in the New York School of Abstract Expressionism, making significant contributions that still resonate today. Her work brilliantly translates the energy of painting into dynamic printmaking, inviting readers to explore her rich visual language. Delve into the pages filled with vibrant colors, dynamic forms, and engaging insights that delve into how Mitchell crafted her artistic identity. Perfect for art enthusiasts, students, and collectors alike, 'Joan Mitchell: Worlds of Colour' not only celebrates the artist's legacy but also emphasizes her innovative techniques that continue to inspire contemporary artists. Condition: BRAND NEW. ISBN: 9780642334923. Year: 2021. Publisher: National Gallery of Australia. Note: Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled.

Note: Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled.

Condition: BRAND NEW
ISBN: 9780642334923
Year: 2021
Publisher: National Gallery of Australia


Description:


Joan Mitchell: Worlds of colour is the first exhibition in Australia to explore the work of this North American artist, surveying the series of prints that she created at Tyler Graphics in 1981 and 1992.

Born in Chicago, Mitchell emerged in the early 1950s as a leading figure in the New York School of Abstract Expressionism. From 1955 she lived and worked between the United States of America and France, settling permanently in VĂ©theuil, near Paris, in 1968.

This publication explores Mitchell’s dedication to abstraction and how she translated her approach to painting through printmaking techniques.

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