Description
Discover the groundbreaking work of Jeppe Ugelvig in 'Fashion Work 1993–2019,' a compelling exploration of the fascinating intersection between art and fashion. This 192-page masterpiece dives into the innovative practices of influential figures like Bernadette Corporation, Susan Cianciolo, BLESS, and DIS. Through unique insights, Ugelvig reveals how these pioneers navigated the evolving landscape of fashion production amidst significant societal shifts. With an emphasis on collaborative and DIY culture that flourished in cities like New York, Paris, and Berlin, this book captures the raw energy and creativity characteristic of the 1990s. Featuring a treasure trove of rare photographs and ephemera, 'Fashion Work 1993–2019' showcases the vibrant tapestry of aesthetic entrepreneurship alongside the complexities of modern fashion systems. Ugelvig's analysis highlights the transformative role of creative directing and styling in shaping contemporary fashion, further illustrating how artists like Bernadette Corporation challenged traditional paradigms through their radical approaches to brand creation and narrative. Whether you're an art enthusiast, a fashion student, or simply curious about the art/fashion synergy, this book is essential for understanding the legacy of these artistic innovators in the face of today's corporate fashion realities. Order your brand new copy today, enjoy free shipping, and immerse yourself in the dynamic world of fashion work that transcends the ordinary. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled. Published in 2020 by Damiani Editore, this book is a must-have addition to your collection.
Note: Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled.
Condition: BRAND NEW
ISBN: 9788862087094
Year: 2020
Publisher: Damiani Editore
Pages: 192
Description:
Critic and curator Jeppe Ugelvig recounts a little explored near-history of art/fashion hybridity through the genre- defying practices of Bernadette Corporation, Susan Cianciolo, BLESS and DIS, exploring their experimental approaches to fashion production between the art and fashion worlds in a time of radical societal change. Through a rich selection of rare and previously unseen photographs and ephemera, the book depicts fashion work in all its exhilarating complexity, tracing it from the atelier of the garment-maker to the post-production editing suite of the fashion photographer. Ugelvig's comprehensive account connects a mythological 1990s generation of collaborative, DIY fashion producers in New York, Paris and Berlin to the digital and increasingly corporate systems of fashion of the 2010s, where aesthetic activities such as styling and creative directing have become ubiquitous. From the dystopian brand-hacking of Bernadette Corporation to the museum pop-up stores and early sneaker collaborations of BLESS, the book shows how artists not only manage to repeatedly subvert fashion's frenzied systems, but prototype new forms of aesthetic entrepreneurship.
Note: Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled.
Condition: BRAND NEW
ISBN: 9788862087094
Year: 2020
Publisher: Damiani Editore
Pages: 192
Description:
Critic and curator Jeppe Ugelvig recounts a little explored near-history of art/fashion hybridity through the genre- defying practices of Bernadette Corporation, Susan Cianciolo, BLESS and DIS, exploring their experimental approaches to fashion production between the art and fashion worlds in a time of radical societal change. Through a rich selection of rare and previously unseen photographs and ephemera, the book depicts fashion work in all its exhilarating complexity, tracing it from the atelier of the garment-maker to the post-production editing suite of the fashion photographer. Ugelvig's comprehensive account connects a mythological 1990s generation of collaborative, DIY fashion producers in New York, Paris and Berlin to the digital and increasingly corporate systems of fashion of the 2010s, where aesthetic activities such as styling and creative directing have become ubiquitous. From the dystopian brand-hacking of Bernadette Corporation to the museum pop-up stores and early sneaker collaborations of BLESS, the book shows how artists not only manage to repeatedly subvert fashion's frenzied systems, but prototype new forms of aesthetic entrepreneurship.