James Barnor

SKU: PR351680

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Discover the captivating legacy of Ghanaian photographer James Barnor with this essential concise survey. Spanning six decades and two continents, Barnor's work offers a rich exploration of street, fashion, and documentary photography. Celebrated for his groundbreaking portraits, Barnor's lens has captured pivotal moments in history—from Ghana's independence to the vibrant culture of 1960s London. This 2023 publication by Thames and Hudson Ltd is more than just a book; it is a treasure trove of visual narratives that document race, identity, and modernity in the post-colonial era. Each photograph serves as a 'slice of history', making Barnor a significant figure in contemporary photography. Whether you are a student of art, a photography enthusiast, or simply curious about the cultural transformations of the last century, this volume offers invaluable insights into Barnor's illustrious career. Enjoy free shipping on this remarkable collection; please allow up to 6 weeks for delivery. Don't miss your chance to delve into the extraordinary world of James Barnor and celebrate the artistry of a true photographic pioneer. Order your brand new copy today and experience history through the lens of one of its most distinguished storytellers.

Note: Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled.
Condition: BRAND NEW
ISBN: 9780500297872
Year: 2023
Publisher: Thames and Hudson Ltd


Description:
A concise survey of the pioneering work of London-based Ghanaian photographer James Barnor.

With a practice spanning six decades and two continents, ranging from street to studio and fashion to documentary, Ghanaian photographer James Barnor (b.1929) is now recognised as a pivotal figure in the history of photography. Moving between Accra and London throughout his life, Barnor's photographic portraits visibly map societies in transition: Ghana winning independence from Britain, and London embracing the freedoms of the swinging sixties. He has said: 'I was lucky to be alive when things were happening ... when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the sixties, so I call myself Lucky Jim.'

Barnor's photographs have been described as 'slices of history, documenting race and modernity in the post-colonial world', and he has been the subject of several major retrospectives over the last fifteen years. This concise survey in the Photofile series is the perfect overview of his multifaceted work.

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