Description
Discover the essential read for anyone interested in the evolution of documentary films with 'Issues in Contemporary Documentary'. This groundbreaking publication dives deep into the complexities of contemporary documentary practices shaped by the digital age. Authored by Jane Chapman, this book addresses critical questions regarding the relevance of traditional documentary themes, the impact of the internet, and the role of emerging platforms in diverse storytelling.
With an insightful analysis of documentary studies, Chapman's work showcases how the genre intricately intertwines with various contexts, evolving constantly. Each chapter is infused with international case studies that enrich your understanding of crucial topics such as representation, objectivity, and ethics in documentary filmmaking.
This compelling text not only bridges theoretical discussions with real-world applications but also highlights the growing importance of activist documentaries. As viewers transition into makers, the discourse on documentary will inevitably change, and this book positions itself as a pivotal resource in navigating these shifts. The chapters progress through key themes like reflexivity, censorship, and authorial voice, making it a valuable addition to any scholar's library.
Whether you are a student, researcher, or documentary enthusiast, 'Issues in Contemporary Documentary' provides the necessary framework for engaging with the latest developments in the field. Don't miss out on this vital resource that enriches discussions around the past, present, and future of documentary film and media studies.
Note: Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be canceled. Condition: BRAND NEW. ISBN: 9780745640105. Year: 2009. Publisher: John Wiley & Sons (UK). Pages: 244.
Note: Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled.
Condition: BRAND NEW
ISBN: 9780745640105
Year: 2009
Publisher: John Wiley & Sons (UK)
Pages: 244
Description:
Documentary is fast changing: with the digital revolution and the
enormous increase in Internet usage, the range of information and
outlets for distribution continues to become more diverse. In this
context, are the traditional themes and frequently irreconcilable
critical positions of study still valid ? or are they changing, and
if so, how? In short, what are the issues for documentary studies
now?
The starting point of Issues in Contemporary Documentary is
that although documentary history cannot be ignored, the genre
needs to be understood as complex, multi-faceted, and influenced by
a range of different contexts. Jane Chapman brings to life the
challenges of contemporary documentary in an accessible way by
balancing theoretical discussion with use of cutting edge material
from Europe and North America and the developing world.
Whilst the need for critical appraisal of documentary is greater
than ever before, Chapman believes that future discourses are
likely to be shared between academics and specialist online
communities as viewers become makers, and both categories may also
become activists. Maintaining all parties can benefit from an
awareness of continuity and change, she predicts that activist
documentary will increasingly become a category to follow in the
future.
Each chapter contains recent international case studies, and the
content evolves thematically with definitions, representation,
objectivity, subjectivity, censorship, authorial voice,
reflexivity, and ethics as headings. This free standing, innovative
study can also be used in conjunction with Documentary in
Practic
With an insightful analysis of documentary studies, Chapman's work showcases how the genre intricately intertwines with various contexts, evolving constantly. Each chapter is infused with international case studies that enrich your understanding of crucial topics such as representation, objectivity, and ethics in documentary filmmaking.
This compelling text not only bridges theoretical discussions with real-world applications but also highlights the growing importance of activist documentaries. As viewers transition into makers, the discourse on documentary will inevitably change, and this book positions itself as a pivotal resource in navigating these shifts. The chapters progress through key themes like reflexivity, censorship, and authorial voice, making it a valuable addition to any scholar's library.
Whether you are a student, researcher, or documentary enthusiast, 'Issues in Contemporary Documentary' provides the necessary framework for engaging with the latest developments in the field. Don't miss out on this vital resource that enriches discussions around the past, present, and future of documentary film and media studies.
Note: Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be canceled. Condition: BRAND NEW. ISBN: 9780745640105. Year: 2009. Publisher: John Wiley & Sons (UK). Pages: 244.
Note: Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled.
Condition: BRAND NEW
ISBN: 9780745640105
Year: 2009
Publisher: John Wiley & Sons (UK)
Pages: 244
Description:
Documentary is fast changing: with the digital revolution and the
enormous increase in Internet usage, the range of information and
outlets for distribution continues to become more diverse. In this
context, are the traditional themes and frequently irreconcilable
critical positions of study still valid ? or are they changing, and
if so, how? In short, what are the issues for documentary studies
now?
The starting point of Issues in Contemporary Documentary is
that although documentary history cannot be ignored, the genre
needs to be understood as complex, multi-faceted, and influenced by
a range of different contexts. Jane Chapman brings to life the
challenges of contemporary documentary in an accessible way by
balancing theoretical discussion with use of cutting edge material
from Europe and North America and the developing world.
Whilst the need for critical appraisal of documentary is greater
than ever before, Chapman believes that future discourses are
likely to be shared between academics and specialist online
communities as viewers become makers, and both categories may also
become activists. Maintaining all parties can benefit from an
awareness of continuity and change, she predicts that activist
documentary will increasingly become a category to follow in the
future.
Each chapter contains recent international case studies, and the
content evolves thematically with definitions, representation,
objectivity, subjectivity, censorship, authorial voice,
reflexivity, and ethics as headings. This free standing, innovative
study can also be used in conjunction with Documentary in
Practic