Description
Condition: BRAND NEW
ISBN: 9781800961357
Format: B-format paperback
Year: 2025
Publisher: Octopus
Description:
'An absorbingly creepy travelogue through the corridors, tunnels and basements of our most famous cultural repository. With Noah Angell as our guide, the British Museum becomes a haunted prison filled with imperial plunder and restless spirits clamouring for attention.' - Malcolm Gaskill, author of The Ruin Of All Witches'Fascinating and illuminating' - Peter Ackroyd'Brilliantly delicate, pointed, shivery... You could read it as a guide to which galleries to avoid - or to where the push for repatriation should be most urgent.' - Erin L. Thompson, professor of art crime at the City University of New York'Achieves a near-impossible marriage between paranormal pop-culture, folklore and hauntology' - Roger Clarke, author of A Natural History of Ghosts'A heady cocktail of history and folklore that leaves a haunting aftertaste... Spine-tingling' - Lindsey Fitzharris, New York Times bestselling author of The Facemaker'A reader might well do as Angell did himself: come for the delicious ghost stories but stay for a complete takedown of the British Museum project.' The New StatesmanWhat if the British Museum isn't a carefully ordered cross section of history but is in instead a palatial trophy cabinet of colonial loot - swarming with volatile and errant spirits?When artist and writer Noah Angell first heard murmurs of ghostly sightings at the British Museum he had to find out more. What started as a trickle soon became a deluge as staff old and new - from overnight security
ISBN: 9781800961357
Format: B-format paperback
Year: 2025
Publisher: Octopus
Description:
'An absorbingly creepy travelogue through the corridors, tunnels and basements of our most famous cultural repository. With Noah Angell as our guide, the British Museum becomes a haunted prison filled with imperial plunder and restless spirits clamouring for attention.' - Malcolm Gaskill, author of The Ruin Of All Witches'Fascinating and illuminating' - Peter Ackroyd'Brilliantly delicate, pointed, shivery... You could read it as a guide to which galleries to avoid - or to where the push for repatriation should be most urgent.' - Erin L. Thompson, professor of art crime at the City University of New York'Achieves a near-impossible marriage between paranormal pop-culture, folklore and hauntology' - Roger Clarke, author of A Natural History of Ghosts'A heady cocktail of history and folklore that leaves a haunting aftertaste... Spine-tingling' - Lindsey Fitzharris, New York Times bestselling author of The Facemaker'A reader might well do as Angell did himself: come for the delicious ghost stories but stay for a complete takedown of the British Museum project.' The New StatesmanWhat if the British Museum isn't a carefully ordered cross section of history but is in instead a palatial trophy cabinet of colonial loot - swarming with volatile and errant spirits?When artist and writer Noah Angell first heard murmurs of ghostly sightings at the British Museum he had to find out more. What started as a trickle soon became a deluge as staff old and new - from overnight security