Description
Explore the captivating world of Edgar Degas, one of the most renowned Impressionist painters, with this exquisite hardback volume. Celebrated for his unique ability to capture the ether of ballet and the essence of modern life, Degas was not only a master of brushwork but also a keen observer of human emotions. This edition, published by Publishers Distribution Ltd, features 200 pages filled with meticulously detailed illustrations and insightful commentary that showcase Degas's evolution as an artist. From his early inspirations drawn from Old Masters like Raphael and Michelangelo to his iconic ballet scenes, the book charts Degas's artistic journey, highlighting his relationship with contemporaries like Renoir and his innovative techniques. Perfect for art enthusiasts and collectors, this brand-new hardcover edition serves as both a beautiful coffee table book and an invaluable resource for anyone interested in impressionism. Immerse yourself in the world of Edgar Degas and appreciate the delicate interplay of light, movement, and form that defines his extraordinary body of work. Fast and reliable delivery options are available to ensure your new art collection centerpiece arrives promptly and in perfect condition.
By Bade, Patrick
By Degas, Edgar
Condition: BRAND NEW
Format: Hardback
Number of Pages 200
Publisher Publishers Distribution Ltd
Degas was closest to Renoir in the impressionist's circle. He started his apprenticeship in 1853 at the studio of Louis-Ernest Barrias and, beginning in 1854, studied under Louis Lamothe, who revered Ingres above all others and transmitted his adoration for this master to Edgar Degas. Starting in 1854, Degas frequently traveled to Italy where he copied from the Old Masters. His drawings and sketches already revealed very clear preferences, especially in Raphael, Leonardo da Vinci, Michelangelo, and Mantegna. After his first compositions, which depicted horses, Degas made yet another discovery. His first painting devoted solely to the ballet was Le Foyer de la danse a l'Opera de la rue Le Peletier (The Dancing Anteroom at the Opera on Rue Le Peletier, Musee d'Orsay, Paris). In a carefully constructed composition, with groups of fi gures balancing one another to the left and the right, each ballet dancer is involved in her own activity, each moving in a separate manner from the others. Extended observation and an immense number of sketches were essential to executing such a task. Ballet would remain his passion until the end.
By Bade, Patrick
By Degas, Edgar
Condition: BRAND NEW
Format: Hardback
Number of Pages 200
Publisher Publishers Distribution Ltd
Degas was closest to Renoir in the impressionist's circle. He started his apprenticeship in 1853 at the studio of Louis-Ernest Barrias and, beginning in 1854, studied under Louis Lamothe, who revered Ingres above all others and transmitted his adoration for this master to Edgar Degas. Starting in 1854, Degas frequently traveled to Italy where he copied from the Old Masters. His drawings and sketches already revealed very clear preferences, especially in Raphael, Leonardo da Vinci, Michelangelo, and Mantegna. After his first compositions, which depicted horses, Degas made yet another discovery. His first painting devoted solely to the ballet was Le Foyer de la danse a l'Opera de la rue Le Peletier (The Dancing Anteroom at the Opera on Rue Le Peletier, Musee d'Orsay, Paris). In a carefully constructed composition, with groups of fi gures balancing one another to the left and the right, each ballet dancer is involved in her own activity, each moving in a separate manner from the others. Extended observation and an immense number of sketches were essential to executing such a task. Ballet would remain his passion until the end.