Diane Kurys

SKU: PR10321

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Sale price$53.60

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Explore the world of Diane Kurys through Carrie Tarr's insightful analysis of her cinematic legacy. This brand new book, titled 'Diane Kurys: Women in Film', delves into the rich narratives capturing the female experience in post-war France. With an ISBN of 9780719050954, published by Manchester University Press in 1999, this comprehensive study virtually redefines women's film-making and female authorship in contemporary cinema. Through meticulous readings of Kurys' films—ranging from the nostalgic exploration of adolescent life in 'Diabolo menthe' to the complex dilemmas faced by modern women in 'A la folie'—Tarr shows how Kurys masterfully reconstructs the lives of girls and women. This book showcases Kurys' unique voice as not just a director but as an author-producer navigating the evolving landscape of French film. The conclusion presents a profound understanding of Kurys’ thematic concerns and distinct visual style, positioning her as a pioneering figure in films focusing on female subjectivity. Whether you are a film student, a feminist scholar, or merely a fan of compelling stories, this analysis of Diane Kurys’ work is a must-have addition to your collection. Shipping for this item is free, with delivery taking up to 6 weeks. Please note that once your order is placed, it cannot be cancelled.

Note: Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled.

Condition: BRAND NEW
ISBN: 9780719050954
Year: 1999
Publisher: Manchester University Press


Description:


Carrie Tarr's analysis of the cinema of Diane Kurys is a full-length study of this director, whose delightfully unsentimental reconstructions of the lives of girls and women in post-war France have established her as a distinctive presence in contemporary French film-making. Carrie Tarr traces Kury's trajectory from actress to author-director producer of her own films in a career that already spans two decades, and situates her work within debates on women's film-making and female authorship. The book includes detailed readings of each of Kurys' films to date, from the evocation of growing up in the 1960s in "Diabolo menthe" to the dilemmas facing the woman artist of today in "A la folie". The conclusion draws together Kurys' thematic preoccupations and visual style in order to identify her authorial signature, and illuminates the extent to which she has been able to create a space for female subjectivity within the constraints of contemporary French culture.

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