Description
Introducing 'Afterimages', a groundbreaking book by Laura Mulvey that delves into film theory and feminism. This captivating tome, published by Reaktion Books in 2019, is a must-have for film enthusiasts and scholars alike. In 'Afterimages', Mulvey expertly explores the intersection of gender, cinematic representation, and the evolution of film technologies. The title refers to the transformative experience of viewing films and the passage of time inherent in the cinematic experience.
Structured into three insightful parts, this book starts with an examination of 'woman as spectacle', challenging viewers to reconsider their perspectives. Part Two features a diverse collection of films directed by women, showcasing radical approaches to storytelling from various cultures around the globe. In the final section, Mulvey discusses moving image art installations, illustrating how cinematic aesthetics continue to resonate in contemporary art galleries.
Additionally, 'Afterimages' includes an appendix with crucial insights into Mulvey's iconic essay, 'Visual Pleasure and Narrative Cinema'. She addresses pivotal questions surrounding spectatorship that are particularly relevant in today's cultural landscape, especially in the wake of the #MeToo movement.
This essential read offers a provocative exploration of the power of moving images and provides a deeper understanding of feminist film criticism, making it a valuable addition to any academic library or personal collection. Embrace the compelling arguments and rich analysis that this book provides, and discover how cinema shapes our perceptions of gender and culture.
Structured into three insightful parts, this book starts with an examination of 'woman as spectacle', challenging viewers to reconsider their perspectives. Part Two features a diverse collection of films directed by women, showcasing radical approaches to storytelling from various cultures around the globe. In the final section, Mulvey discusses moving image art installations, illustrating how cinematic aesthetics continue to resonate in contemporary art galleries.
Additionally, 'Afterimages' includes an appendix with crucial insights into Mulvey's iconic essay, 'Visual Pleasure and Narrative Cinema'. She addresses pivotal questions surrounding spectatorship that are particularly relevant in today's cultural landscape, especially in the wake of the #MeToo movement.
This essential read offers a provocative exploration of the power of moving images and provides a deeper understanding of feminist film criticism, making it a valuable addition to any academic library or personal collection. Embrace the compelling arguments and rich analysis that this book provides, and discover how cinema shapes our perceptions of gender and culture.